Psalms: Layer-by-Layer (Cambridge Digital Bible Research): Participant Analysis of Psalm 118

The three main goals of this presentation are:

  1. To introduce and familiarise the BT world with the Psalms: Layer-by-Layer project (CDBR).

  2. To show the exegetical benefits of participant analysis and provide tools for implementing it.

  3. To bring Psalm 118 to life and deal with some of the difficult exegetical issues it presents.

The purpose of Psalms: Layer-by-Layer (a project by Cambridge Digital Bible Research) is to provide scholarly yet accessible resources to Bible Translation teams working on the Psalms. Each Psalm is analysed according to its grammar, semantics (lexical, phrase level, verbal, unit-level), discourse (macro syntax, emotions, speech acts, participants), and poetic structure, and helpful visualisations and resources are produced making these analyses accessible and useful for translation teams.

Participant analysis is one of the important discourse layers which asks, "What story do the characters of this psalm tell?" The answer to this question begins by identifying the main participants in the psalm, along with their grammatical function. The relationships between these participants is then analysed, leading to a final summary of the "story" the participants of the story tell.

Perhaps one of the most interesting Psalms of the Psalter for participant analysis is Psalm 118. This famous Psalm describes a leader or king of Israel coming to the holy place, accompanied by the priests, Levites, and all the nation, to celebrate God's deliverance from enemies and perform a thanksgiving ceremony. Detailed analysis of the interplay between the psalm's participants yields fascinating insights and brings this psalm to life in a unique way.

Oobie Weinberg

Oobie Weinberg is a visual exegete with CDBR (Cambridge Digital Bible Research) working on the Psalms: Layer by Layer Project. He is Israeli-British-Canadian living in Jerusalem with his wife and three kids.

Previous
Previous

Lost in Translation: Navigating the Intersection of AI and the Sanctity of Drafting in BT

Next
Next

Translating the Psalms from Oral to Print to Performance: A Report on the Work of PsalmsThatSing